Skip to main content

Medo do Escuro

O menino entrou no quarto. Deitou-se. Que monstros haveria debaixo da cama? Melhor nem espreitar. Apagaram a luz. O medo aumentou. Agora os monstros podiam sair, andar livres por todo o quarto. Como seriam esses monstros? Fechou os olhos. Ouviu o som de um interruptor. Será que acenderam a luz? Só havia uma maneira de descobrir. Mas agora os monstros estavam tão vivos na cabeça do menino que ele temeu abrir os olhos. Ouviu de novo o som do interruptor. Ganhou coragem para abrir os olhos. A mesma escuridão onde os monstros dançavam. Se calhar apagaram a luz outra vez. Será que foram os monstros? O medo cresceu. Gemeu. Pensou levantar-se e acender ele a luz. Mas uma voz parou-o, “Está tudo bem,” ouviu-se do outro lado da porta, “eu estou aqui.” O menino escondeu-se debaixo do cobertor sem entender porque é que gostava de ouvir aquela voz apesar de ela fazer os bichos crescerem e ficarem mais assustadores. “E não acendas a luz senão eles acordam e ficam muito zangados”.
Na manhã seguinte, com os olhos em papas, o menino aproximou-se da mesa e estendeu o cartão de eleitor. Recebeu o boletim, entrou na cabine deixando a cortina semiaberta para se sentir mais seguro. A fotografia do seu protector destacava-se entre as caras dos monstros com quem tinha dormido. Não demorou mais do que 2 segundos a marcar a cruz.

Popular posts from this blog

Post-..."Tomorrow composts today"

“So it was I had my first experience with the Accelerator. Practically we had been running about and saying and doing all sorts of things in the space of a second or so of time. (…) But the effect it had upon us was that the whole world had stopped for our convenient inspection.” H.G.Wells, 1901, The New Accelerator in Modern Short Stories, The growth of cities has created bigger opportunities for (and was in many ways led by) the production of new needs. With consequent increase in waste production. Part of this waste is the result of consumption: composed by materials and objects that were destroyed by human use or have decayed over time. But an increasing part of this waste is generated through symbolic processes, i.e., created by the production of consumption, by industries whose main products are new forms of desire. Since innovation is the main drive of economy, commodities are produced for worlds that do not exist yet, worlds which they will help shape. This power of transforma

Minute nods

Life in the city is made possible by a fragile web of mutual trust, though a filigree of unspoken pleasantries, and an intricate meshwork of altruistic gestures. A permanent exchange of mute interrogations and minute nods between strangers forms a complex language that ensures the common conditions for survival. Of course we can see bodies looking past other bodies, trying to walk though, overtake, get there before them, without knowing very well where exactly is there, or whether there is in fact a desired place, or if what there is to do there is actually what needs doing. But that is always what is emphasised when talking about the city, isn't it, the rat race. It's a gross version of urban metabolism in which life and its processes are reduced to competition between contained unities, as if one had just arrived from a rushed reading of the theory of evolution and had forgotten how life is sustained by a convuluted tangle of symbiotic connections with other animals, pla

Raindance

I remember my grandad telling me that the Americans were sending rain to the Olympics in Moscow to sabotage it. But can they do it, I would ask, Of course they can. My awe was then broke by rational triangulations, Of course it is impossible to make rain, that surely is a mix between conspiracy theories and magical beliefs in science. Well, if an Independent journalist can be more reliable than a grandfather, here's the confirmation that my grandad always knew more than his contemporaries.